Every time I start a new blog post, it always seems as if I have to begin with ‘sorry for not having posted for ages’, or something similar. I’m not the best of people with social media and blogging. I know what good things they are in many respects, especially for the self-employed, and extra-especially for writers. ‘Get yourself out there more!’ I’m told, by informed friends and acquaintances who use the internet to its limit to promote their work. ‘I will,’ I answer, (usually just to shut them up). I don’t mean it, of course. Is it because I’m lazy, or too busy, or simply feel distaste for this voracious medium? Maybe a bit of all three. I’m certainly not the type to share intimate details of my life with strangers online, or even people I know vaguely. Close friends will get to hear news over the phone, and that’s where it’ll stay. Sometimes I’ll post pictures of my friends and I on Facebook when we’re visiting a site of interest. The only other personal thing I’ll post is pictures of and anecdotes about my cats. (A little disappointing how they always get a ton – literally a ton – more ‘likes’ than posts about writing, whether that’s my writing or someone else’s.) Otherwise, to me, Facebook is for work.

I had a submission the other day, whose accompanying mail began by explaining in great detail the social media success of the writer, how they were such a booming youtuber and so on. Eventually, this mail said, (and here I’m exaggerating just because I can), ‘Oh yeah, and they just wrote this novel.’ My first instinct was to reply with a succinct profanity, but then I let it simmer for a few days and replied, along the lines of: the work is more important than the social media popularity of the author. Unfortunately, the work, when I got to it, was dull, derivative and not any great shakes style-wise. Pass! However, I was so tempted to end my rejection email with, ‘This one isn’t for me, but I guarantee the author will find great success elsewhere.’ I know a lot of (perhaps more sensible) editors and publishers will take one look at all those thousands of ‘youtube’ hits and think to themselves, ‘magnificent, look at all that potential self-promotion’. And quite honestly, they’ll be right. No matter how mediocre the work, if thousands of people are into your blog, there’s a good chance they’ll buy the book you write. I’m old-fashioned and curmudgeonly, I know, but I find that depressing. Does success really have to depend so heavily nowadays on social media and the fleeting popularity you can get on there – often for sod all? For people who share my distaste, I recommend the Charlie Brooker ‘Black Mirror’ episode (series 3 on Netflix), ‘Nosedive’. That to me says it all.

Anyway, onto more cheerful subjects. One of the reasons I’ve not posted is, as I’ve stated honestly (honest) above, is that I’ve just been really busy. For some reason, I took it on myself to produce six books this year – books that will involve my own work, not just other people’s. Five of those titles are through my own Immanion Press, and one is through Ian Whates’ NewCon Press. First off, I’ll talk about the latter. A mockup of the cover (which might be slightly different eventually) is below:

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Back in the 1990s, Louise Coquio and I ran a small press fiction magazine called ‘Visionary Tongue’. I suspect that the majority of people who read my blog and look at my posts on Facebook already know about this venture, and perhaps even contributed to it. But for those who don’t, the thing that set VT apart from other little magazines was that we recruited a team of successful, established writers to act as editors and mentors for new authors. Each accepted contributor got to work with a ‘pro name’, who passed on tips and advice about the stories, as well as a thorough edit. No-one had done that before. Lou and I didn’t realise what a huge job this would turn out to be, and as other commitments mounted up, we realised we hadn’t got the time to continue running the magazine. We passed custodianship to Jamie Spracklen, who kept it running for around a dozen more issues. Some of our contributors went on to have strong writing careers – such as Liz Williams, Justina Robson and Tim Lebbon. When Ian asked me last year if I’d ever published a collection of VT stories as a book and, if not, he’d happily do one, I said yes at once. But… tracking down authors proved impossible in some cases, and even with the help of Jamie and his co-editor Donna Bond, I’ve not managed to trace them all. Ultimately, Ian and I have decided to publish the stories and poems of these ‘missings’ in the book, with the disclaimer that we searched as much as we could, and free copies of the book will be waiting to be handed to ‘missings’ should they ever come across it. Another time-consumer was translating all the stories into electronic versions, since the files for many of the older issues have been lost, as were some of the magazines themselves. Some stories had to be scanned and then carefully edited, which is always a long job. Still, the book is shaping up now and is all but done. I’ve used illustrations that artist Ruby did for the original magazine throughout. The cover too is by Ruby, an adaptation of cover art she did for issue 20. This book is due to be published in September through NewCon Press.

Projects 2, 3 and 4 are Wraeththu-related. Not all of them might appear this year – that depends on contributors. First off, there’s ‘Para Spectral’, a collection of supernatural stories set in the Wraeththu mythos. Whenever Wendy and I start a new ‘Para’ anthology, I always want to get it out the same year. This never happens. The books always take longer than I’d thought – but this is generally down to contributors being so busy and needing extra time to finish submissions. Wendy and I usually write two stories each to go in the ‘Para’ books, so that’s more time I need to find.

The next Wraeththu book is ‘Songs to Earth and Sky’, which revolves around the Deharan Wheel of the Year. This is a reimagining of the familiar Pagan cycle of the seasons, with its eight festivals – several of which survived into the Christian era as Christmas, Easter and so on. The Wheel of the Year in the mythos is known as Arotohar, and each has one – or in some cases two – dehara (or gods) connected with them. I invited a few authors to contribute to the collection, which I’ve long wanted to write. I knew this would be a huge job to do alone, (as I have plans for its interior, as well as simply writing stories), so I chose a few writers to help with the work! Each selected a seasonal festival to base their story around. At the moment, I have two stories to write myself for this anthology but it might end up being three. The proposed (and most desired) release date for this book is December 2017. I want to try and bring it out on the day of Adkaya, which is a few weeks before the winter solstice, a ‘sub-festival’, when the dehar Solarisel delivers the pearl of the sun-harling Elisin, which hatches at the solstice. This seems a propitious time to release the book, so I hope we can keep to the deadline! I’ve just finished writing a story based on Rosatide (or Imbolc), which is currently entitled ‘A Message in Ashes’. This title might change. I’m really pleased with this piece, and again (as with a couple of my recent mythos stories) I’ve been drawn to a harish community out in the wilderness, who are very much in touch with nature. My dream world, obviously. This story took on a life of its own once I began writing it, and has some poignant, if not tragic, moments. I really enjoyed writing it.

The final book related to Wraeththu is the third volume of the ‘Grimoire Dehara’ series I’m writing with Taylor Ellwood. The Deharan magical system is based upon the fictional system in my Wraeththu books, which we’ve expanded into a pop culture magic system. As there was over ten years between book one and two, Taylor and I both feel we need to bring the third one out as soon as possible after the second. This will be the volume that focuses upon ‘Nahir Nuri’, the third tier of the system. We’ve endeavoured to keep these books of interest and use to practitioners who aren’t familiar with Wraeththu, but are intrigued by its androgynous nature in a magical sense. The book will again be fully illustrated by Ruby and me, and will be out in the final quarter of 2017 – all being well.

After these titles, we have ‘The Darkest Midnight in December’, which is a book of traditional Christmas ghost stories. Again, I’m not sure if this will be out this year or the next, but will endeavour to make it this year.

The next book I’ll talk about is currently entitled ‘Brides of Blood and Shadow’, although I’m desperately trying to come up with a different word to ‘Brides’, which has a good ring and rhythm to it, but it’s not what I want to convey about the book. This is a book of pathworkings with what are known as ‘dark goddesses’ – not the motherly types, or love goddesses, or goddesses of hearth and home. These will include deities such as Hecate, Ereshkigal and The Morrigan. Andy Collins and I will write the actual pathworkings together, although I’m doing all the accompanying essays, explaining the symbolism of each goddess. Caroline Wise is writing a guest article for it. Again, I don’t have a firm release date for this. Researching each goddess is taking me some time, (as we’re including some quite obscures ones), along with all the other projects I’m working on simultaneously.

It’s strange but I’m finding it most effective to spread my work out over my working week on these books. I’ll do a chapter of the Dehara, then work on one of the short stories, then write essays on a couple of goddesses. It might be an illusion, but I feel I’m making more progress this way.  Of course, with some books I’m having to wait on the work of others so can’t do much about that. This is good, though, because it means I can concentrate fully on the other books (and stories) and hopefully have them finished by the time I have enough material to put the anthologies together.

So that’s about it for current projects. If anyone would like to submit to ‘Para Spectral’ or ‘The Darkest Midnight in December’, please let me know and I can send details. Mail to editorial(at)Immanion-press(dot)com

 

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