I’m happy to report that I’ve been able to work on my novel this week – I refused to write another blog post until I could say something positive about the book. I’ve also started another short story for a forthcoming collection. But the most important thing is that I’m able to get back to the full length work. One thing I find I need when working on a novel is immersion – I need to be on it every day, thinking about it, listening to music that inspires scenes, and so on. I can’t just do a bit and leave it for weeks, then go back to it and find it easy to write. If I’ve slipped out its world, I need to get back in.

I had a number of scenes for which I’d written notes and have spent time writing those up. I’m not sure yet where these scenes will go, but as they were there, determined to come out, they needed to be written. These scenes were ‘eerie happenings’, ideas that came to me for the Tower in the story. It’s not exactly haunted but its occupant is.

I wanted to finish off the Alba Sulh sequence of the Wraeththu books, begun with ‘The Hienama’ and ‘Student of Kyme’. In the second one, the story took a rather miserable turn. Unfortunately, that’s what wanted to be written, and few of the characters came out in a good light. For the third one, I wanted a departure and to leave all that angst behind. The main character is Ysobi, who ended up being rather a villain in the previous book. A little punch drunk from his experiences, and also contrite, if not confused as to his earlier behaviour, he takes on a commission to help a rural community establish a spiritual system based upon the landscape and local folklore. He finds a magical, almost surreal environment, where in some of the harish families their human roots are still very important. The family who have hired him still live in the ‘ancestral home’ and it quickly becomes obvious that – like any ancestral home family worth its salt – there are secrets in its past. It’s also clear something unusual happened to the hienama of the community, with hints he disappeared into the landscape, leaving his son in the care of the ruling family. But while it seems Wyva, his brothers, and his chesnari Rinawne are the benevolent leaders of the community, there is another mysterious family, the Whitemanes, who appear to wield more power, certainly in a magical way. The community holds them in awe. Ysobi is soon involved in ancient plots and a personal haunting, while trying to complete the job he was given to do, against a nebulous opposition that seeks to terrify him and drive him away. Ignorant of this undercurrent, the harish community simply sees him as a replacement for their vanished hienama, a job Ysobi really doesn’t want. He’s had his fill of such positions of responsibility and yearns only for the life of a scholar. But nohar else seems keen to take on the position, and Ysobi is shuffled into it, despite his misgivings. He also refuses to be intimidated by his shadowy enemies and resolves to fight back.

Anyway, that’s the idea and there’s a lot more to go into it, but I’m glad I’ve got back to it at last.

Immanion Press news:

We’ll be publishing some of Tanith Lee’s work in e-book, as well a new printed novel called ‘Turquoiselle, which is part of her ‘Colouring Books’ sequence. The e-books will be ‘Kill the Dead’, followed by the Flat Earth series: ‘Night’s Master’, ‘Death’s Master’, ‘Delusion’s Master’ and ‘Delirium’s Mistress’. ‘Kill the Dead’ should be on Kindle very soon, with the others following after.

I have Tanith fans writing to me all the time, bemoaning the fact her work isn’t available in e-book. This is because her work is tied up in rights, and a couple of years ago the UK publisher, Orion, bought up most of her back catalogue for e-book publication (but not all of it.) As I’ve said to those who’ve written to me about it, there’s no point going on Amazon and requesting e-book editions from the original publishers of her books. This is simply because that in most cases they do not hold the rights. The best option for those wishing to campaign on Tanith’s behalf is to contact Orion, who have the majority of her titles. A little nudging, and a clear fan interest, might help the books appear sooner rather than later.

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